PERFORMANCE
“Encontré algo, es un portal” es una pieza performática codirigida por Marycielo Rodríguez (*Gotoxyc) y Rod Ugalde De Haene que explora el concepto de los espejos como umbrales hacia otros mundos. Presentada el pasado sábado 4 de abril en Monterrey, Nuevo León, la acción formó parte del evento de lanzamiento del cortometraje y fanzine homónimos. Esta entrega interdisciplinaria contó con la ambientación sonora en vivo de Rodrigo Zárate y el registro visual de Thom Díaz.
"Encontré algo, es un portal" (I found something, it's a portal) is a performance piece co-directed by Marycielo Rodríguez (*Gotoxyc) and Rod Ugalde De Haene that explores the concept of mirrors as thresholds to other worlds. Presented last Saturday, April 4th, in Monterrey, Nuevo León, the performance was part of the launch event for the short film and fanzine of the same name. This interdisciplinary showcase featured a live soundscape by Rodrigo Zárate and visual documentation by Thom Díaz.
"Encontré algo, es un portal" (I found something, it's a portal) is a performance piece co-directed by Marycielo Rodríguez (*Gotoxyc) and Rod Ugalde De Haene that explores the concept of mirrors as thresholds to other worlds. Presented last Saturday, April 4th, in Monterrey, Nuevo León, the performance was part of the launch event for the short film and fanzine of the same name. This interdisciplinary showcase featured a live soundscape by Rodrigo Zárate and visual documentation by Thom Díaz.
“El lugar donde los sueños se tocan” es un performance codirigido y musicalizado por Marycielo Rodríguez (*Gotoxyc) y Rod Ugalde De Haene. La pieza plantea una profunda reflexión en torno a los umbrales de los sueños y el uso de las máscaras. Se presentó el pasado 28 de abril de 2026 en el Centro Cultural Ollin Yoliztli, como parte de las actividades y festejos del 19° Encuentro Plural de Danza del INBAL.
"El lugar donde los sueños se tocan" (The place where dreams touch) is a performance piece co-directed and scored by Marycielo Rodríguez (*Gotoxyc) and Rod Ugalde De Haene. The piece offers a profound reflection on the thresholds of dreams and the use of masks. It was presented on April 28th, 2026, at the Centro Cultural Ollin Yoliztli as part of the activities and celebrations of INBAL's 19th Encuentro Plural de Danza.
"El lugar donde los sueños se tocan" (The place where dreams touch) is a performance piece co-directed and scored by Marycielo Rodríguez (*Gotoxyc) and Rod Ugalde De Haene. The piece offers a profound reflection on the thresholds of dreams and the use of masks. It was presented on April 28th, 2026, at the Centro Cultural Ollin Yoliztli as part of the activities and celebrations of INBAL's 19th Encuentro Plural de Danza.
“Bailar para que no te peguen tanto” (“Dance so they don’t hit you harder”) es una pieza performática dirigida por Rod Ugalde De Haene que utiliza la intimidad del formato cinematográfico en 8mm para proyectar un ritual transformador, trasladando la experiencia de los golpes físicos hacia un plano de resistencia artística. Presentada el 14 de octubre en la Ciudad de México, esta acción formó parte de la obra homónima comisionada por el Museo de Arte Contemporáneo de Querétaro (MACQ) para la exposición colectiva “Round de Sombra”. La presentación contó con la participación escénica de Marycielo Rodríguez (*Gotoxyc), Árbol Vencido y la presencia de Diego Ugalde De Haene, todo bajo la atmósfera sonora y musicalización de Heraldos Negros.
"Bailar para que no te peguen tanto" (“Dance so they don’t hit you harder”) is a performance piece directed by Rod Ugalde De Haene that utilizes the intimacy of the 8mm film format to project a transformative ritual, shifting the experience of physical blows into a realm of artistic resistance. Presented on October 14th in Mexico City, this performance was part of the homonymous work commissioned by the Museo de Arte Contemporáneo de Querétaro (MACQ) for the collective exhibition “Round de Sombra.” The presentation featured live performances by Marycielo Rodríguez (*Gotoxyc) and Árbol Vencido, alongside the presence of Diego Ugalde De Haene, all set to the soundscape and live score by Heraldos Negros.
"Bailar para que no te peguen tanto" (“Dance so they don’t hit you harder”) is a performance piece directed by Rod Ugalde De Haene that utilizes the intimacy of the 8mm film format to project a transformative ritual, shifting the experience of physical blows into a realm of artistic resistance. Presented on October 14th in Mexico City, this performance was part of the homonymous work commissioned by the Museo de Arte Contemporáneo de Querétaro (MACQ) for the collective exhibition “Round de Sombra.” The presentation featured live performances by Marycielo Rodríguez (*Gotoxyc) and Árbol Vencido, alongside the presence of Diego Ugalde De Haene, all set to the soundscape and live score by Heraldos Negros.
“Sindicato Yamamoto” Pieza de Danza Butoh presentada el 14 y 15 de enero en la Ciudad de México. Dirección y concepto: Brenda Pérez y Adriana Elizondo Intérpretes: Rod Ugalde De Haene, Amaranta Jacome, Martha Arellano y Sarita Tolosa.
"Sindicato Yamamoto" is a Butoh dance piece presented on January 14th and 15th in Mexico City. Direction and Concept: Brenda Pérez and Adriana Elizondo. Performers: Rod Ugalde De Haene, Amaranta Jacome, Martha Arellano, Sarita Tolosa.
"Sindicato Yamamoto" is a Butoh dance piece presented on January 14th and 15th in Mexico City. Direction and Concept: Brenda Pérez and Adriana Elizondo. Performers: Rod Ugalde De Haene, Amaranta Jacome, Martha Arellano, Sarita Tolosa.